All things old China - books, anecdotes, stories, podcasts, factoids & ramblings from the author Paul French

RAS Shanghai – Diana Yeh – The Happy Hsiungs: Performing China and the struggle for Modernity – 20/3/14

Posted: March 20th, 2014 | No Comments »

RAS LECTURE

Thursday 20th January 2014
7pm for 7.15pm
 
RAS Library
Yeh - Hsiungs cover 

DIANA YEH
The Happy Hsiungs: Performing China and the struggle for Modernity

 ‘Try Something Different. Something Really Chinese’
The Happy Hsiungs recovers the lost histories of Shih-I and Dymia Hsiung, two once highly visible, but now largely forgotten Chinese writers in Britain, who sought to represent China and Chineseness to the rest of the world. Shih-I shot to worldwide fame with his play Lady Precious Stream in the 1930s and became known as the first-ever Chinese stage director to work in the West End and on Broadway. Dymia was the first Chinese woman in Britain to publish a fictional autobiography in English in the 1950s. Through exhaustive research and fieldwork among surviving family members and friends, Diana Yeh traces the Hsiungs’ lives from their childhood in Qing dynasty China and youth amid the radical May 4th era to Britain and the USA, where they became highly celebrated figures, rubbing shoulders with George Bernard Shaw, James M. Barrie, H.G. Wells, Pearl Buck, Lin Yu Tang, Anna May Wong and Paul Robeson among others. Though fêted as ‘The Happy Hsiungs’, their lives ultimately highlight a bitter struggle in attempts to become modern.
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Dr Diana Yeh lectures at Birkbeck College, University of London and at the University of East London, UK. She has chapters in A. Robert Lee (ed.), China Fictions/English Language: Essays in Diaspora, Memory, Story (Rodopi, 2008); M. Huang, (ed.) The Reception of Chinese Art across Cultures (Cambridge Scholars Publishing, forthcoming) and articles in journals such as the Critical Quarterly and Senses and Society.
RSVP: to RAS Bookings at: bookings@royalasiaticsociety.org.cn
ENTRANCE:  Members 50 RMB – Non Members 70 RMB
Includes a glass of wine or soft drink
Priority for RAS members. Those unable to make the donation but wishing to attend may contact us for exemption.
MEMBERSHIP applications and membership renewals will be available at this event.
RAS MONOGRAPHS – Series 1 – 4 will be available for sale at this event. 100 rmb each (cash sale only)
WEBSITE:  www.royalasiaticsociety.org.cn
ras library pictureThe RAS Shanghai Library building

Difficult Times for Shanghai Women in 1934

Posted: March 19th, 2014 | No Comments »

A cartoon from the North-China Daily News from the famous White Russian cartoonist Sapajou in 1934 showing the “problems” women faced in Shanghai following the February introduction of the New Life Movement. Just how little attention Shanghai women paid to the new edicts is of course debatable!Sapajou Difficult Times for Women 1934

 


Van Gogh on Demand: China and the Readymade

Posted: March 18th, 2014 | No Comments »

Winnie Won Yin Wong’s Van Gogh on Demand looks like an interesting read…..

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In the Guangdong province in southeastern China lies Dafen, a village that houses thousands of workers who paint Van Goghs, Da Vincis, Warhols, and other Western masterpieces, producing an astonishing five million paintings a year. To write about life and work in Dafen, Winnie Wong infiltrated this world, investigating the claims of conceptual artists who made projects there; working as a dealer; apprenticing as a painter; surveying merchants in Europe, Asia, and America; establishing relationships with local leaders; and organizing a conceptual art show for the Shanghai World Expo. The result is Van Gogh on Demand, a fascinating book about a little-known aspect of the global art world – one that sheds surprising light on our understandings of art, artists, and individual genius. Confronting difficult questions about the definition of art, the ownership of an image, and the meaning of imitation and appropriation, Wong shows how a plethora of artistic practices joins Chinese migrant workers, propaganda makers, and international artists together in a global supply chain of art and creativity. She examines how Berlin-based conceptual artist Christian Jankowski, who collaborated with Dafen’s painters to reimagine the Dafen Art Museum, unwittingly appropriated a photojournalist’s intellectual property. She explores how Zhang Huan, a radical performance artist from Beijing’s East Village, prompted propaganda makers to heroize the female artists of Dafen village. Through these cases, Wong shows how Dafen’s workers force us to reexamine our expectations about the cultural function of creativity and imitation, and the role of Chinese workers in redefining global art. Providing a valuable account of art practices in a period of profound global cultural shifts and an ascendant China, Van Gogh on Demand is a rich and detailed look at the implications of a world that can offer countless copies of everything that has ever been called “art.”


Manchukuo Pu Yi Postcard From 1934

Posted: March 17th, 2014 | 1 Comment »

Emperor Henry Puyi on a Japanese postcard, Manchruia (Manchukuo), 1934…I don’t think ChinaRhymers really need the whole Pu Yi, Manchuria, Japanese stooge thing explained again….

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The Pacific Mail Steamship Company’s London Offices

Posted: March 16th, 2014 | 2 Comments »

Sadly I don’t have a date for this photograph from the London Met Archives but it is the London offices of the Pacific Mail Steamship Company on 21-24 Cockspur Street, near Trafalgar Square offering services to California, Japan, China and round the world. Pacific Mail was an American steamship line that started operations in 1848 transporting mail and passengers. Their trans-Pacific services were started in 1867 connecting San Francisco to Yokohama, Hong Kong and Shanghai. It was a popular line, due to lower costs, with Japanese and Chinese immigrants to the USA.

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Travels in Kamtchatka and Siberia: Volumes 1 & 2: With a Narrative of a Residence in China

Posted: March 15th, 2014 | No Comments »

A new kindle edition of Dobell’s Travels in Kamchatka and Siberia (volume 1 and volume 2) from the early 1800s, largely forgotten and little read these days but an early(ish) examination of the region and life on the Chinese borders.

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An Irish-born adventurer in Russian service, Peter Dobell (1772–1852) embarked in 1812 on a long journey from Kamchatka across Siberia to Tomsk. This two-volume work, first published in 1830, contains a detailed and idiosyncratic account of his journey, painting an affectionate picture of the region and its people. The narrative includes ethnographic observations, descriptions of nights spent with local families, notes on the wildlife encountered, and discussion of the problems caused by the weather. Dobell also lived in China for many years, and his remarks on the experience are incorporated into the work. He gives opinionated observations on topics such as Chinese society, traditions, trade and medicine. Again, this narrative reflects Dobell’s instinctive curiosity and enthusiasm. Volume 1 covers the first half of the journey, starting in Kamchatka and ending in Yakutsk.

Billy Smart’s 1960 1,001 Arabian Nights

Posted: March 14th, 2014 | No Comments »

There was a time when if you went to the circus in England (and I mean a proper circus with animals and everything) it was probably Billy Smart’s. He ran carnivals, funfairs and circus’s since the 1930s. In 1960 they came to town (London’s Alexandra Palace to be exact) with a new show featuring Orientalism galore and 1,001 Arabian Nights….

Billy Smarts 1001 Arabian Nights 1960 1

Billy Smarts 1001 Arabian Nights 1960 2

Bill Smarts cover


Raffles Hotel 1920

Posted: March 13th, 2014 | No Comments »

Raffles in 1920….

Raffles Hotel postcard